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Over the past decade, I have photographed conflict, catastrophic weather events, and mass migration across the Middle East, Europe, and Africa - work that instilled an urgency to anchor art in lived realities. Combining long-term ethnographic research with experimental forms of storytelling, I have worked on the frontlines against the Islamic State, in Global South communities fractured by violence and ecological collapse, and embedded with first responders battling Europe’s largest wildfires.
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From the start of my career, I have aimed to make my practice expansive enough to hold contradiction and rigorous enough to reshape how complex events are represented. Trained first as a painter, I maintain a multimodal approach that merges documentary images, experimental optics, large-scale installation, and sculptural painting to expand how crises can be seen and understood. I seek to make visible the slow violences of our time and provoke deeper questioning of the stories that shape our world.
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